Da Vinci’s mural The Last Supper has often been parodied, including a video featuring rapper Snoop Dog who carried the 2024 Olympic Torch in Paris before this year’s opening ceremony while wearing the satanic emblem of Baphomet on his necklace.
The opening ceremony’s reimagining of Da Vinci’s masterpiece using drag queens, with a young girl seated at the table, has been subject to much social media commentary. Whether intended as satire of a piece of art (which seems unlikely given Da Vinci and his masterpiece are Italian not French and the mural is located in Italy not France) or not-so-veiled insult directed at Christians, there is little doubt the central figure in Da Vinci’s work is a depiction of Jesus of Nazareth, The Christ/Messiah, who was also the central personage burlesqued in Paris.
Some commentators note the host government of France would not have approved such mockery of a religion other than Christianity. If such treatment toward another religious community was presented in plans for the evening’s entertainment by Olympic organizers, government officials might have recalled the violent murder of eleven staff members employed by satire magazine Charlie Hebdo following its 2015 publication of a cartoon lampooning Islam’s prophet, Mohammed.
Others question why the French government’s stated purpose for a performance inclusive of everyone considered drag queens to be the preferred representative group. Perhaps French officials gave thought to the near past when drag queens were adult-only entertainment that took place in cabaret-like nightclubs before bursting into prominence as featured performers at events where children are invited to like them and aspire to be like them―library story hours, cartoons such as The Fabulous Show with Fay and Fluffy or Drag Tots, or that lone young girl seated at the opening ceremony’s Last Supper parody table. Perhaps they didn’t think about it at all.
A cadre of more liberal commentators express toward Christians who take offense that religious leaders’ objection to Jesus’ inclusion of people they determined unwelcome is simply now being repeated by today’s religious leaders who object to the drag-queen-dinner presentation. Yes, Jesus was inclusive; always inviting those who attended to follow Him and consistently cautioning the alternative to following Him was self-condemnation to an eternity separated from the experience of true love.
Some say Christianity is an effective target for such mockery because it is toothless in response. Rather than toothless, I prefer to think Christians will not take up weapons in response to offense, heeding Jesus’ words in Gethsemane (Matthew 26:47-53). Christians in democratic societies are positioned to voice displeasure, careful to criticize the offense without condemning the offenders. And Christians in all societies are encouraged to heed Paul’s instruction to the brothers and sisters in Ephesus about spiritual warfare being directed at life’s spiritual realities (Ephesians 6:1-18). Be aware, as C.S. Lewis wrote, “There is no neutral ground in the universe. Every square inch, every split second is claimed by God, and counterclaimed by Satan.”
Jesus was mocked, spit upon, and crucified (Mark 15:16-37). He told His followers to expect persecution, to pray for those who despise them, and to know Christians live in a world that rejects Him and them (Matthew 5:9-12, 43-48; John 15:18-25). As Jesus’ body, Christians are to love their neighbours in the world―including those who mock Jesus and them―and invite those neighbours to follow Him (Matthew 28:19-20). Christians are to live as peacemakers at peace with neighbours, and not to seek revenge for offense or mistreatment (Romans 12).
Christian, take care that the bitter taste from offense, as seems likely was intended by the drag queen Last Supper, does not take root in your spirit lest you become the medium for corrupting the spirit of others (Hebrews 12:15).